It also has a dedicated envelope and LFO with various waveshapes and tempo sync - the LFO is handy for making wobbly bass noises, and the phase can be reset on each new note. The first filter has low-pass, band-pass, high-pass and notch modes in 6dB, 12dB, 18dB and 24dB flavours, as well as comb and vowel filters. ![]() Filter and amp sectionsįollowing the oscillators is a simple distortion stage - you can drive the signal to warm it up, or slam it to create new timbres - then a dual-filter setup, running either in series, parallel or split mode (ie, a filter and effect for each oscillator). You can even use the sync and ring/frequency modulation with them, for extra grind and growl. These have been created by pitching down samples of various instruments, mostly of the percussive variety, with sources including kick drums, toms, xylophones, congas, djembe, bass guitars, etc. ![]() More unusual are the 39 sample-based waveforms that are unique to SBB. "Sound generation begins with the synth's pair of oscillators, and these are the biggest selling point of SubBoomBass."
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